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By ucombo, October 9, 2009 11:58 am

The Jason Parker Quartet is releasing its second album, “No More, No Less” with a CD Release Party at Lucid Jazz Lounge on October 24, 2009 at 9:30pm. The JPQ is: Jason Parker (trumpet), Josh Rawlings (piano), Evan Flory-Barnes (bass) and D’Vonne  Lewis (drums). They are joined on three tracks by special guest Cynthia Mullis on tenor sax. “No More, No Less” is the follow-up to the JPQ’s self-titled debut album from 2007. The new CD documents the growth the band has gone through during the past two years and illustrates the cohesive, passionate playing that prompted Earshot Jazz to call them “The next generation of Seattle Jazz.” Songs include one original by Parker and fresh takes on compositions by a diverse group of songwriters, including Wayne Shorter, Cole Porter, Sam Rivers, Nick Drake, George Gershwin, Duke Pearson and Tatum Greenblatt.

The addition of Mullis on three tracks adds fire and depth to the band, and she fits in perfectly with the exploratory nature of the core quartet. The JPQ prides itself on compelling original compositions and fresh interpretations of jazz standards. With the inclusion of Nick Drake’s “Three Hours” they have signaled a commitment to playing songs from outside the traditional jazz canon. And with Tatum Greenblatt’s “Mance’s Dance” they have shown a desire to play songs written by their peers. Greenblatt is a Seattle-born, NYC-based trumpet player currently studying for a Masters’ Degree at Juilliard School of Music.

The CD Release Party at Lucid Jazz Lounge will feature songs from the new CD and other goodies as well, featuring Mullis joining the band for the evening. The CD will be available at the show for a suggested donation of $15, but will be available to all attendees on a pay-what-you-can basis. Everyone paying $15 or more will also receive a free download of “Jason Parker and Friends – Live at Lucid”, which was recorded earlier this summer.  The band is also planning aWest Coast tour for Winter 2009/2010.

For more information, including member bios and a sneak peek at the DVD, please visit jasonparkermusic.com. Show time for the Release Party is 9:30pm.

Lucid Jazz Lounge is located at 5241 University Way NE, Seattle. There is no cover charge and the show is 21+.

To preview the new album, go to http://oneworkingmusician.com.

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By ucombo,

Jason Parker, a jazz trumpet player from Seattle, has been living the dream of many independent musicians and paying the bills at the same time. Working in the music industry for over 20 years, Jason leads The Jason Parker Quartet, one of the busiest jazz bands in Seattle, and plays in a host of other bands, including Clave Nagila, Water Babies, The Nate Omdal Nonet and more.

Jason has released four of his own CDs and played on countless others. He is releasing the second CD with The Jason Parker Quartet, entitled “No More, No Less”, this month. It was recorded on April 8, 2009 at MOUSe Recording, Seattle, WA. Its official release date is October 24, 2009.

Ucombo Music Reviews editor Meg Dilts had a conversation with Jason Parker on his early musical training, the making of his first CD, and his career.

Meg: Hi Jason, thank you for taking the time to talk to us. You’ve been on the music scene for over 20 years. Have you always played in a jazz band?

Jason: Thank you for taking the time to speak with me! I appreciate the opportunity to tell your readers a bit about myself and my music.
I started playing the trumpet at 8 years old and my first exposure to jazz was in my high school big band. The teacher was really into old Basie charts, Sammy Nistico, Maynard Ferguson, etc. He really got me playing jazz. Then I attended the Interlochen Arts Academy for two summers during high school, which really help me progress as a musician. I entered college as a music major, but quickly realized that I didn’t have the drive that the other music students did. They spent all their waking hours in the practice rooms, but I just wanted to be a college freshman! So I played in a few rock bands and pick-up bands, but turned my attention to the radio station at the college, which played lots of jazz. It was a way for me to stay close to the music without all that practicing! After college I put the horn down, had a very successful career in radio, and didn’t think much about playing. It was only after I turned 30 and had a bit of a mid-life crisis that I went back to the horn. A Seattle bassist named Ev Stern has been leading a Jazz Workshop for years and convinced me to come try it out. I did, was hooked, and haven’t put the horn down since. That was 10 years ago.

Meg: When did you start your musical training? You are a trumpet player,
has it always been your instrument of choice since the beginning?

Jason: Growing up we listened to equal parts classical music (my dad’s choice) and folk music (my mom’s choice). From an early age I was taken with the cello, and that’s the first instrument I wanted to play. In 2nd grade, when they made everyone in my school choose and instrument, I chose the cello. But I was told I was too small and would have to settle for a violin. I wasn’t happy about it, but decided to give it a try. But about 2 weeks before the first music class, they called us all into the multi-purpose room and sat us down for a concert. I was right up front, and remember sitting at the feet of a man who looked like a giant, wearing a daishiki and a huge smile, and playing the heck out of a trumpet. I sat watching him mesmerize the whole room, and decided then and there that I wanted to be a trumpet player. That man: Dizzy Gillespie!

Meg: As a professional musician, do you teach besides performing? Do you
find teaching students musically rewarding?

Jason: I do a little bit of teaching. I’ve never enjoyed having a ton of private students, but I love teaching classes to groups of kids and do so for a few organizations in Seattle. I find working with groups and teaching them how to play as a band is very rewarding and inspiring. My favorite thing about jazz is that it is a conversation, and seeing young folks get that and actually start listening to each other is one of my biggest rewards.

Meg: Your quartet, The Jason Parker Quartet, is one of the busiest jazz
bands in Seattle. When was it formed? How did you meet the musicians in
your band?

Jason: I have been leading some form of the JPQ since 2001. The current group has been together for about 2 1/2 years and are the greatest human beings I’ve ever played with. I met Josh Rawlings, the piano player, when I hired one of his bands (Soul Kata) to open for my band Water Babies. We hit it off and when the piano chair in my group came open he was the only person I wanted. Luckily he said yes! He introduced me to Evan Flory-Barnes (bass) and D’Vonne Lewis (drums), who he plays with in a couple of different groups in Seattle (The Teaching and Industrial Revelation). I brought them in to help me record our first CD and we’ve been playing together ever since.

Meg: “Jason Parker Quartet  No More, No Less” is your fourth CD. Is it the
first CD release of your quartet?

Jason: This is our second CD. The first, called “The Jason Parker Quartet”, was released in 2007 on Broken Time Records.

Meg: What is the story behind making this CD? The title is “No More, No
Less”, where did you draw the inspirations from?

Jason: This new CD is a product of the countless gigs and time we’ve spent hanging together in the last 2 1/2 years. I’m fortunate to be able to keep the group together, as working bands are a rarity in jazz these days. But with a working band comes a familiarity and a level of communication that is hard to replicate with a thrown together band. Josh, Evan and D’Vonne are some of the most in-demand players in Seattle and I’m thrilled that they’ve chosen to stay with me all this time.
The inspiration for the title was the desire to present the band, as is, with no frills, no studio tricks, no sugar-coating – no more, no less! We’re at our best when we play live and our passion is visible to the audience, and that’s how I wanted the record to sound too.
The inspiration for the playing comes from each other. I can’t tell you how inspired and inspiring these cats are, and each time I play with them I feel myself lifted up, musically and personally.
And the inspiration for the first track comes from my wife, my Bashert, Darrah.

Meg: Thanks again for talking to us, Jason. The best of luck in the new CD
release.

Jason: Thanks so much Meg! For this, and for all you do to spread the word about independent musicians.

To preview the new album, go to http://oneworkingmusician.com.

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By ucombo, August 30, 2009 8:20 pm

Began his career at the age of 14 in the clubs of the south of France,
French R&B/Jazz musician Pierre Sibille is releasing his first CD in North America, entitled “Since I Ain’t Got You.”  Ucombo Music Reviews editor Meg Dilts had the opportunity to conduct an exclusive interview him this week.

Meg: We’ve had the pleasure listening to the 3 tracks on your newest release “Since I Ain’t Got You”. I’m very much impressed by your natural singing tone which must be essential to a great jazz singer. We heard that you are not only a singer, but also a pianist, a composer, and a harmonica player. This is unusual, can you tell us how you got your start in every aspect?

Pierre: I have played the Harmonica ever since my mother found out that it was a nice way to stop me from crying when I was a baby.  I have had a harmonica with me  ever since.  Then I started to play the piano at the age of 6.  I wanted to play the Blues, I was fascinated by Ray Charles, Memphis Slim, Nina Simone. . .  I started to learned Classical music but I always wanted to reach the feeling that I had when I was listening to the Blues.  Even if I couldn’t  understand a word, I was still catching the essence.  Composing just became a natural way to reach that same feeling.

Meg: You got your start at 14 in the clubs of the south of France, what was it like to start a career at such a young age?

Pierre: Yes, at 14 it was in a couple of little concerts with friends . . . but I started to like the idea to practice a song, build an ambiance and perform. At the age of 15 I met a great American pianist-singer, Randy Bettis.  I started to play the harmonica with him, he taught me all the left hands – the  basslines.  He also made me listen to different kinds of Blues.  We were playing one or two times a week.  At the age of 16 I was able to play piano solos with the harmonica, like Bob Dylan.  I started to play every time that I could. My parents or my girlfriend, had to drop me at the clubs because I didn’t have my driver license yet.

Meg: Who do you consider to be the most influential musicians in your musical style?

Pierre: Ray Charles is my first influence.  His music is rich, the feeling is great and he’s a great performer. I ‘m also impressed by the way that Bob Dylan and Tom Waitts compose.  They know how to reach perfection and how to tell great stories.  Donny Hathaway and Curtis Mayfield showed me another aspect of soul music.

Meg: This is your first North American CD release, could you tell us about the inspiration and story behind making this wonderful new project?

Pierre: I was playing and booking in the legendary jazz club LE BILBOQUET in St-Germain-des-Prés.  I met a lot of American musicians.  They all told me that I should go to the United States.  One day I met Bill Ecker from MUSIC AND OPERA AUTOGRAPHS, he told me that If I go to New York City he would introduce me to some people that he knows in the music industry.  I was already working on this album (it took me 3 years to finish it) and I thought that it was time for me to go to the United States.

Each song in this album is based on personal stories.

Meg: On “Since I Ain’t Got You”, the contribution of the American brass
section, both catchy and caressing, is a definite plus. How did you decide to incorporate that into your new release?

Pierre: I have used the brass section on “Your smile.”  I felt that this song needed some Latin riffs.  I  have been working since 1996 with a great saxophone player, composer and arranger: Jon Handelsman, a New Yorker who lives in Paris.  I knew that he was the perfect guy for that song.  He did the arrangements of the brass section. He called, Pierre Chabrèle to record the trombone.

Meg: Unlike many other jazz singers and pianists, you do not confine yourself in jazz, your musical identity keeps on growing in different musical genres. Other than R&B, blues, what other genres are you or will you be interested in?

Pierre: I love music in general.  Mostly R&B, blues and soul but also funk, reggae, jazz and folk.

I think that no matter what style of music you play, It’s your personality that going to reflect most than just “a style”.

Today I’m working on a new project  with a great Drummer-singer from Brooklyn:  Moses Patrou http://www.myspace.com/cozymose
It’s a mix between New Orleans blues and funk.  We will be on tour in France in September.

Meg: It’s been our pleasure listening to your songs and thank you for agreeing to let us interview you. Look forward to hearing more music from you and the best of luck to your new release.

Pierre Sibille is represented by the Redwood Entertainment, Inc. in North
America.

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By admin, August 12, 2009 11:51 am

Genres are specific tools that artists choose to express their feelings, views, and visions. Some artists do not confine themselves into one genre instead they use a more crossing genre style to define their style thus making their music stand out among the many. It is apparent to say the least that 22 year old UK based Random Impulse is one of the great talents who is distinctively recognized for his unique genre-crossing concepts.

Hailed by listeners as “The only UK rapper I’d spend money on,” Random Impulse’s newest independent release “Full Metal Alchemist” truly shows his multi-faceted persona perfectly. Unlike many other artists of the same genre, his song concepts stretch across an unusually large spectrum.

Whether he’s expressing fear from his unstable workaholic life with the dramatic piano driven “Suicide,” forcing you to feel a deep sense of guilt and empathy as he speaks first person as an addicted mother on the soul rendering “The Heroine” Or simply captivating all of the senses with his dynamic story-telling abilities in the form of “Time Travel” where his descriptiveness reaches levels to the point where you could almost swear you can physically see the events in his epic tale.

From Goths and skaters to street and urban, the young artist Jovel Walker, otherwise known as Random Impulse is off to a fantastic start.

He was interviewed on June 6th, 2008 on Kiss FM in the UK to promote his newest independent release “Full Metal Alchemist”.